Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi 3 years long exposures: read “The passing of time“, (on Socks).
Lavoisier is having none of your shit.
Heeeey so fun fact: the woman in that painting is Lavoisier’s wife, Marie-Anne Pierrette Paulze, who not only acted as Lavoisier’s lab assistant but also translated English and Latin texts into French so he could read them. But she didn’t just translate, she pointed out errors in the chemistry in some of the texts. Her observations of these errors convinced Lavoisier to study combustion, which led to his discovery of oxygen. She was also critical to the publication of Lavoisier’s Elementary Treatise on Chemistry in 1789. She kept strict records of every experiment they conducted together and drew detailed diagrams of all their equipment. She also threw amazing parties and invited all the brightest minds in science so her husband could pick their brains. After Lavoisier was guillotined she secured all of his notebooks and equipment for posterity.
In short: NOBODY KICKS MADAME LAVOISIER OUT OF THE LAB.
Also, a side note: My historian husband-to-be pointed some things out to me about this painting. Notice that Madame Lavoisier is looking at the viewer, and all the light is on her, while Lavoisier himself is physically smaller than her, in shadow, and looking up to her in reverence. This isn’t a candid photograph- all of these choices are deliberate. The painting isn’t of Lavoisier- Madame Lavoisier is meant to be the central subject.
I can just imagine Lavoisier telling all his colleagues that his wife is really the one with all the clever ideas, and them patting him on the back and telling him he’s sweet for saying so.
I LOVE IT
Evening Gown and Shoes, ca. 1898-1900
House of Worth
via The Met
Embroidered Tulle Tabard, ca. 1910-12
Diphylleia grayi also known as the skeleton flower. The petals turn transparent with the rain.
♡ I D O N T N E E D L I G H T, I ’ M M Y O W N S U N ♡
It gets better—the guy is deaf, and he taught his cat the sign for “food.” So the cat’s not just saying “put that in my mouth,” it’s actually signing
Not only that, but if you notice at the beginning, the cat *gets the man’s attention* as any person who wanted to talk to a deaf/hoh individual would (well, and vice versa IME). I’ve done sign since I was 5, and generally, w/o eye contact initially, you wave a hand or lightly touch the arm (if that’s ok with the person you’re trying to converse with, of course).
Generally, adult cats meow mostly to humans, but this cat has figured out that’s not going to work and has adapted. Animal companions! They are INCREDIBLE.
EVERYONE STOP WHAT YOU ARE DOING AND LOOK AT THIS CAT.
An Iconic look donned by a legend that is now seemingly a staple in every pop singers wardrobe today, the nude bodysuit studded with crystals and embellished with beads, was first worn in 1970 by Diana Ross on her album cover Everything Is Everything.